Just to help you plan your weekend entertainment Ms Emily made an early trip to the movies.
Review by Emily Trosprel
9th Grade BHHS Senior Entertainment Editor
Pirates of the Caribbean: At World’s End
In a season of mega-budget threequels that fizzle after all the hype, there is something to be said for a movie that rivals the charm of the original and surpasses the scope of the second. There’s also something to be said for one brimming over with more sword-fighting, cannon-blasting, tentacle-waving action than ever before seen. That which has to be said is one word—whoa. Avast ye mateys, Pirates of the Caribbean is back, bigger and more ridiculously delightful than ever. It’s also ridiculously convoluted, more than any normal pirates movie would have a right to be. The general arc of the story is thankfully clear. With Captain Jack Sparrow (Johnny Depp) down and out of action after being swallowed whole, Will Turner (Orlando Bloom), Elizabeth Swan (Keira Knightley), and newly ressurected Captain Barbossa (Geoffrey Rush) set out to rescue Jack from Davey Jones’ Locker, where Jack has his own surreal purgatory slowly melting away at his sanity (not that he had much to begin with). They’ll need all hands on deck for Lord Cutler Beckett (Tom Hollander) of the East India Trading Company takes control of Davey Jones’ (Bill Nighy) cut-out heart, bending the tentacled captain to his will for his desire to wipe out all pirate scum of the seas. It will take the united help of pirate lords from all corners of the world to fight an epic battle for freedom on the high seas. Throw in the goddess Calypso who is trapped in human form and out for revenge, the fact that Will is looking to free his father’s soul from debt on Jones’ ship, and a trip to Singapore to see infamous pirate Sao Feng (Yun-Fat Chow) and you’ve got the makings for nearly three hours of swashbuckling adventure. Load your cannons!
Think the 250 million dollar budget for Spiderman 3 was indulgent? At World’s End tops off at 300 million. Unlike Spidey however, every penny of the money is visible onscreen, redefining the term “eye candy.” From a colossal arctic landscape to one of vast desert dunes, the locations the film takes you to and cinematography that captures them are wondrous to behold to even the most begrudging viewers, and those are just the non-CGI shots. When visual effects come into play, the extraordinary become supernatural, all building up to a final half-hour climax which locks two ships together inside a churning, godly whirlpool. Spectacular as CGI is, it merely sets the stage for the performers. You’ll find yourself looking more at Johnny Depp than any monstrous vortexes, for while he was just plodding along comically in Dead Man’s Chest, Captain Jack is here given ample room to commandeer the film. Knightley and Bloom are not merely present to play second fiddle to Depp though; their progress in acting can be tracked through the trilogy and ends on a high note. Of the three films, Curse of the Black Pearl remains master of summer blockbuster territory. The novelty and escapism of the surprise hit four years ago will not be matched for many summers to come. Pirates of the Caribbean: At World’s End can only be a fine way to wave farewell to Jack Sparrow and crew, wave while the man himself sails off to sea and away the overdone, commercial and thoroughly satisfying franchise that’s bound to stay around for a long time.
Three out of four stars for Pirates of the Caribbean: At World’s End.